Krudas
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Frameline, 2006., Kanopy Streaming, 2016.
Format
eVideo
Physical Desc
1 online resource (streaming video file) (29 minutes): digital, .flv file, sound
Status
Description
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More Details
Language
English
Notes
General Note
In Process Record.
General Note
Title from title frames.
General Note
Film
Date/Time and Place of Event
Originally produced by Frameline in 2006.
Description
Krudas explores the lives and work of a Cuban lesbian couple who are hip hop singers and performers. The duo Krudas addresses issues such as women's liberation, lesbian rights, female solidarity and racism. Their work is deeply engaged with feminism and strong ties to their African roots.. Their songs represent an effort to upset semantics and syntax. Krudas conceive language itself as the root of female exclusion and thus summons men to engage in dialogue refusing to engage in any hierarchical structures. Krudas emphasize the use of the first person - one will hear the repetition of the first person "yo" (I) often followed by their own names to further personalize their discourse. Krudas' first person extends beyond mere autobiographical narrative; their "I" is an attempt to formulate a double subjectivity, what philosopher Luce Irigaray calls "I-she" ("Je-elle") and "I-he" ("Je-"lui"). In addition to leading the hip hop duo and the street performance group Tropazancos, Krudas have also organized a network of female hip hop artists, Omega, to unite women in the hip hop and alternative music scenes. Omega's goal is to join forces in order to generate larger projects, including all-female collective performances, recordings, and workshops. This short documentary provides fodder for examinations on feminism, linguistics, gender studies, queer studies, and studies of the African Diaspora..
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
(2006). Krudas . Frameline.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)2006. Krudas. Frameline.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Krudas Frameline, 2006.
MLA Citation, 9th Edition (style guide)Krudas Frameline, 2006.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
29718f48-500a-d94d-03ba-ccbfecb12e04-eng
Grouping Information
Grouped Work ID | 29718f48-500a-d94d-03ba-ccbfecb12e04-eng |
---|---|
Full title | krudas |
Author | frameline |
Grouping Category | movie |
Last Update | 2023-12-20 15:53:45PM |
Last Indexed | 2024-05-21 02:04:17AM |
Book Cover Information
Image Source | sideload |
---|---|
First Loaded | Feb 10, 2024 |
Last Used | May 14, 2024 |
Marc Record
First Detected | Jan 28, 2022 10:09:56 AM |
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Last File Modification Time | Dec 20, 2023 03:55:40 PM |
MARC Record
LEADER | 02723ngm a22004094a 4500 | ||
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040 | |a VDU|b eng|c VDU | ||
245 | 0 | 0 | |a Krudas |
264 | 1 | |b Frameline,|c 2006. | |
264 | 1 | |a [San Francisco, California, USA] :|b Kanopy Streaming,|c 2016. | |
300 | |a 1 online resource (streaming video file) (29 minutes):|b digital, .flv file, sound | ||
306 | |a 002823 | ||
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338 | |a online resource|b cr|2 carrier | ||
500 | |a In Process Record. | ||
500 | |a Title from title frames. | ||
500 | |a Film | ||
518 | |a Originally produced by Frameline in 2006. | ||
520 | |a Krudas explores the lives and work of a Cuban lesbian couple who are hip hop singers and performers. The duo Krudas addresses issues such as women's liberation, lesbian rights, female solidarity and racism. Their work is deeply engaged with feminism and strong ties to their African roots.. Their songs represent an effort to upset semantics and syntax. Krudas conceive language itself as the root of female exclusion and thus summons men to engage in dialogue refusing to engage in any hierarchical structures. Krudas emphasize the use of the first person - one will hear the repetition of the first person "yo" (I) often followed by their own names to further personalize their discourse. Krudas' first person extends beyond mere autobiographical narrative; their "I" is an attempt to formulate a double subjectivity, what philosopher Luce Irigaray calls "I-she" ("Je-elle") and "I-he" ("Je-"lui"). In addition to leading the hip hop duo and the street performance group Tropazancos, Krudas have also organized a network of female hip hop artists, Omega, to unite women in the hip hop and alternative music scenes. Omega's goal is to join forces in order to generate larger projects, including all-female collective performances, recordings, and workshops. This short documentary provides fodder for examinations on feminism, linguistics, gender studies, queer studies, and studies of the African Diaspora.. | ||
538 | |a Mode of access: World Wide Web. | ||
650 | 0 | |a Gender identity. | |
650 | 0 | |a Sociology. | |
653 | |a Documentaries | ||
653 | |a LGBT | ||
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710 | 2 | |a Frameline (Firm),|4 dst | |
710 | 2 | |a Kanopy (Firm),|4 dst | |
856 | 4 | 0 | |u https://tamworthlibrary.kanopy.com/node/181608|z A Kanopy streaming video |
856 | 4 | 2 | |z Cover Image|u https://www.kanopy.com/node/181608/external-image |